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Review: A Comedy of Errors with Comedienne Gigi at Bubblesgirls

Cedar Fog

Registered Member
Messages: 24
Reviews: 8
Joined
#21
These don’t look like the characters that Japanese shares with Mandarin. I guess there’s another set?
Most of the print is written in the hiragana syllabary (the curvy glyphs). There are a few katakana intermixed (the angular glyphs in the ninth column from the left), which seem to be the untranslatable gasps "yoyoyooh, saa… hicha hicha" etc. Katakana are used for (among other things) sound effects in modern manga, and that seems to have been the case even in the 19th century.

At the time, Japanese used three glyph sets: kanji, adapted from Chinese hanzi; and hiragana and katakana, invented locally as shorthand for kanji. The latter are syllabaries (i.e., one symbol per sound in the language) with around 50 glyphs. Nowadays, Japanese uses four glyph sets, since English is often intermixed for titles and headers.

FWIW, 'cause I just can't stop: A lot of "Japanese" culture is "Chinese, circa 10th century" because of its dominance, but the two languages have very different grammar and hanzi were never a complete fit; hiragana are tacked-on for verb conjugations. This print is written with no kanji, probably because it's aimed at a literate but relatively "lowbrow" audience. The fraction of writing that uses kanji has increased in the age of word processors, since people needn't remember how to write complex characters for obscure words. In Ancient Egypt, "hieroglyphic and hieratic" are a similar complex-simple pair, because humans are inherently lazy and rushed.
 

Bech

Registered Member
Messages: 120
Reviews: 2
Joined
#23
Most of the print is written in the hiragana syllabary (the curvy glyphs). There are a few katakana intermixed (the angular glyphs in the ninth column from the left), which seem to be the untranslatable gasps "yoyoyooh, saa… hicha hicha" etc. Katakana are used for (among other things) sound effects in modern manga, and that seems to have been the case even in the 19th century.

At the time, Japanese used three glyph sets: kanji, adapted from Chinese hanzi; and hiragana and katakana, invented locally as shorthand for kanji. The latter are syllabaries (i.e., one symbol per sound in the language) with around 50 glyphs. Nowadays, Japanese uses four glyph sets, since English is often intermixed for titles and headers.

FWIW, 'cause I just can't stop: A lot of "Japanese" culture is "Chinese, circa 10th century" because of its dominance, but the two languages have very different grammar and hanzi were never a complete fit; hiragana are tacked-on for verb conjugations. This print is written with no kanji, probably because it's aimed at a literate but relatively "lowbrow" audience. The fraction of writing that uses kanji has increased in the age of word processors, since people needn't remember how to write complex characters for obscure words. In Ancient Egypt, "hieroglyphic and hieratic" are a similar complex-simple pair, because humans are inherently lazy and rushed.
Fascinating. So kanji is the use of “hieroglyphic” characters, essentially Mandarin but with different sounds, while the other glyph systems are alphabetical like English?
Ukiyo-e arose around the entertainment districts of Edo with the economic rise of that city, making beautiful but cheaply-reproduced prints for mass consumption... but for a new middle class and above, who patronized the theaters, bars and courtesans there and wanted art which celebrated their good taste.
 
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